Kyle Anderson

BT Spins in Vegas; Ravers _____ in Phoenix

Standing in this massive line was ridiculous, I thought. $45 gets me this? But after a few directions and the flash of a wristband, I was in.

BT, and his vocal accompaniment JES, performed at Rain Nightclub at the Palms Resort and Casino Saturday night, and it was a hell of a show.

You're gonna have to trust me - this is BT.

Granted, this was my first nightclub experience, so it might as well have been all the same as any other club. But what made this particular venue attractive on this particular night was the man himself, BT.

A crooked hallway plastered in tiny mirrors beings me in to the club. The place is pounding with music. And people.

View from the balcony at RAIN nightclub at the Palms as strobe lights go off.

You have to shove past everyone in a club like this, but they’re all attractive, so I guess it doesn’t matter. Shoving past people for five minutes got me to a relatively uncrowded bar.

“What’s strong and cheap?” I asked the bartender after observing a guy pay $7 for a cheap beer. He gave me a double rum and coke for $13.

Waiting for the first DJ to finish, I stood on the upper balcony next to people I couldn’t hear. I watched as security guards ushered people, cleaned up drinks, etc. The dance floor was packed, and there was no telling where I’d end up if I tried to enter it. Best keep my distance.

Fanboy-ism Takes Hold, Pays Off

That cautionary distance broke when BT took the helm. I wandered toward the stage with my sweating drink. Soon they were passing out CDs, and I grabbed one – a super EP of “Every Other Way” with exclusive remixes. The one song BT played with words (“Break My Fall,” Tiesto/BT) I sang along to, along with many others. For a moment, I felt slightly popular.

A few more songs, and BT was off the stage. It was a relatively short set, and it was even met with over a minute of silence because of a power issue. Embarrassing, but it happens. According to an anonymous (but reliable) source, the cause of the issue was a disconnected then subsequently overloaded circuit. BT stepped off-stage for a while, something this source says they’ve never seen happen in a club before.

JES came out to sing “Every Other Way” after BT was done spinning, and afterward, she sang “The Light in Things,” another of my favorites from BT’s newest album, “These Hopeful Machines.”

At this point, I’d been at the foot of the stage for over an hour. I naturally sang along to “The Light in Things,” and as I did, JES looked my way while singing and seemed surprised that someone in the crowd was singing along. She smiled and sang a verse or two while our eyes were locked.

Overall, an electric night, mostly worth the cost for seeing BT perform live. It was bit more exciting than the rave I went to in Phoenix a couple of weeks ago.

Grab Your Glowsticks

The raver crowd isn’t one to be compared. Most of these teenagers and twenty-somethings aren’t exactly 21 (or don’t have a fake ID) so they dress up in lingerie and glowsticks to go to these pseudo-regulated parties in the middle of industrial Phoenix, a city well-known for its massive rave scene.

Several raves happen in “secret” locations in The Valley virtually every weekend. I happened to choose the most well-attended summer rave in town to go to: “MaryXMas in July.”

To figure out where the party is, you have to sift through comments on Don’tStayIn.com, a website dedicated to electronic-music-based
parties and raves worldwide. In a comment will be a phone number. If you call the phone number a few times, it’ll play a pre-recorded message with directions. That was easy. It makes you wonder how secret the location really is.

Not very, as the first people I saw when arriving were cops.

DJ "Teddy Graham" on the hardcore stage at "MaryXMas in July." (Picture credit: Unknown)

The warehouse looked too small to be holding three stages and oodles of people, but you could tell it was the place – Pounding baselines could be heard blocks away.

I stood in line for about 20 minutes before emptying my pockets and being patted down by security. I was pushed through and paid my $20 admission to a company/organization that was announced to no one. It was a pure mystery who hosted this party. No signs on the front of the warehouse, nothing.

It was definitely a warehouse. A gutted warehouse with lots of ravers and loud music inside. The three stages weren’t well separated, so the beats often mixed terribly with each other. One stage was for commercial hip-hop, house, and comparatively slower-paced dance music. Another was for hardcore techno and fidget house. The smallest stage was for what sounded like dub-step.

Outside of the warehouse was another crowd, half of which was smoking. They smoked all night. I found a pack of cigarettes on the ground and tried to sell them for money. I only made 35 cents.

It seemed many of the people at this party were underage, broke freeloaders who loved to wear next-to-nothing and do drugs while massaging each other.

Oh, drugs. That’s what the cops were for. Occasionally, three cops with bullet-proof vests would meander through the crowd outside and take someone away in handcuffs, presumably for selling pills. The going rate for a pill of ecstasy was $10. Why couldn’t anyone give me a quarter for a smoke?

The rave got boring quickly, but it had its perks. One of the hardcore DJs dressed up in a bear costume and called himself “Teddy Graham” and played some decent tracks. The people who were doing E (or X) were slouched up against any and all walls to receive “light shows” from other ravers who had special gloves with flashing lights on their fingertips. With their dumbfounded faces glowing as the lights flew toward and away from their faces, they was amusing to watch.

What I couldn’t understand is how anyone could enjoy dancing for 6 hours straight, even on drugs. On the hardcore stage, shirtless guys and nearly-topless girls danced on stage the whole night. Especially in an under-cooled Phoenix warehouse, this seemed insane. (It makes sense that the people who go to the ER while on ecstasy do so because they’re dehydrated.)

The Bottom Line

If you’re deciding on experiencing night life, the question is how much you’re willing to spend and what kind of music you enjoy dancing to.

If you enjoy alcohol, house/hip-hop, or class, go to a nightclub. Expect to spend at least $50 and be ID’d if you look under 21.

If you enjoy ecstasy, hardcore/techno/electrohouse, or the geeky anime/gamer crowd, go to a rave. Expect to spend $10-20 on admission and $3-6 on water. Plus extras, if you do that sort of thing. There’s no strict age requirement.

Both kinds of parties are perfectly legal. What happens at one of them is questionable yet managed by the police. Either way, I think I’m done with nightlife for a while, unless someone can merge the affordability of a rave with the quality of a nightclub.

Related Links

BT

JES

Rain Nightclub

Don’t Stay In

Life Changing Music

This last month has had the tallest loops steepest drops ever recorded. Emotionally speaking, my world has never been shaken around so much. Can I sue for whiplash?

Music. It sets moods. I find that when I’m depressed, I’ll listen to something like Sarah McLachlan’s Afterglow or Delirium’s song “Just a Dream.” Maybe I want to rage… I have heavy dance beats mixed together by PJ Produkt called “Release.” Nostalgic trip? Give me any Newsboys album or Intuition by DJ Encore. All of these push specific emotions through me. But no album has ever pulled emotions out like this one.

Promo image I created in 2006 when I first fell in love.

This Binary Universe by BT is by far my favorite album. I first fell in love with it a few years ago because of its unique blend of genres and style, and the fact that it put such vivid imagery into my mind without any lyrics whatsoever. Plus knowing that it’s entirely generated through electronic synthesizing, C programming and circuit bending makes it mind blowing. But now I’m even more in love with it because, if I pay enough attention to it, it yanks me around and puts me back together again in a relatively neutral state of emotion. This album is the only known trigger for my emotional reset button.

All That Makes Us Human Continues

The album came with a DVD filled with the complete album set to abstract music videos, all of them very different from one another. I never understood any of them until recently.

The first track’s video is a series of flashing lines, shapes, and colors that form a vague construct of gears and frames.

Interpretation: I see these as the representation of the perpetual construction and destruction of society, cultures, and individuals. Nothing is ever completed, only built upon and eroded over time.

Dynamic Symmetry

Thunder opens this song. The video shows a moonlit ocean with scattered stratus clouds. A giant flying mechanic thing flies over the barren waters, followed by several innocent white doves. The machine reveals its erie – and almost evil – long, curly tongue. One of the doves breaks from the group as it flies into the moonset. After breaking through thick fog, it reaches an island filled with strange creatures – some covered with eyes, others bouncing and waving seemingly involuntarily. This dove escaped an evil leader to find its own way to a community of unique, content, and happy individuals, none of them pretty as doves, who all have a home on a grassy island with a nice tree lit with paper lamps. A steamboat passes and churns galaxies from its exhaust fume.

Interpretation: Don’t follow; be. The universe we’re in is just unwanted gas by the wayside.

The Internal Locus

Film shards run overlaid against a blurred image of a robot. Living underground, this robot is building machine rabbits and projects them out of a tree stump into the living earth above, home to a tall, overall-wearing farmer. A fish manages to find its way into the robot’s underground. As the farmer plants seeds, the robot takes the fish and tries to replicate a machine after it, but it can’t distinguish between its head and body. So the robot makes a rabbit with a fish head. This fish-rabbit hates what its creator has done, so it leads the farmer to a power line. The farmer digs it up, breaks the line, and finds himself in the industrial underground. The robot flees as his factory crumbles. A vine starts to grow underground and overtake the pipes and boilers, while the machined rabbits continue to live above ground. The farmer explores the underground and makes friends with the robot.

Interpretation: Technology and nature do mix – beautifully. Progress and nature will follow.

1.618

An open desert with white sand and overcast skies opens the video. More barren desert-scapes. Then symmetrical frameworks. Then circles. Then curves and spirals. These look like faces and eyes in time. The majority of this video shows a bunch of intertwining tubes surrounded with spirals. Colors used could almost resemble the inside of a body. Another long spiral tunnel leads to an aperture-like opening, which reveals more solid spirals, and eventually a sunflower face. The video replicates and rotates to form golden rectangles from the video frames.

Interpretation: Everything comes from the golden spiral, golden rectangle, golden ratio. But the spirals themselves are made of even more intricate components…

See You On the Other Side

Analog static and flashes of light set to ambient music. A large jellyfish moving through space blips in and out of the screen. Waves form a tornado-esque entity of light in space, and the camera moves quickly through this nebula. Debris and gas form another golden object which breaks apart and distorts. Columns of ribboned fire. The analog scan lines continue to march up the screen.

Interpretation: Falling apart and being distorted is what makes us beautiful.

The Antikythera Mechanism

Another barren landscape, laden with snow and black rock, is traversed by a woman. The woman approaches a small cave, discovers a clear cube and, as she holds it, it falls apart slowly into smaller cubes and rectangles. The woman keeps wandering, but her vision is slowly distorted into bends and polygons. Cut to fast moving streaming metal in intricate shapes. As the music progresses into a tone apropos for a battle scene, the woman begins to try to find her way through snow covered forests, but the polygons continue to distort. Cut to intertwined moving shapes and curves more sinister than the others. Some resemble skyscrapers. The video ends with a still of the shapes frozen in time, then the cube morphing back into its original form.

Interpretation: Though confusing and possibly dangerous, the search for new is what makes life the experience that it is.

Good Morning Kaia

Video collage of BTs daughter, Kaia. Home videos, pictures, etc. A letter from BT to Kaia overlay the screen and reflect on frailty, humility, and love. “These are simple words from a simple man. I watched you arrive. I have watched you grow. I have watched you learn. I wept tears of joy. I will watch you understand. I will watch you empathize, and I will watch you create… For the stars conspire for you, and I will stand by your side. ALWAYS. … We are bonded by more than blood. I will love you today, tomorrow, and even after my last breath.”

The music, the visuals. They have made me cry the only cleansing tears I’ve shed. For this reason, This Binary Universe will be an album I will own and cherish for decades, if not the rest of my life. It’s also the reason why I think I’ll be all right after this dreadful fucking month.